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1996 01 16 Sculpture Collection Dan Olson installation view wide angle looking toward gallery wallsb
1996 01 16 Sculpture Collection Dan Olson installation view wide angle looking toward gallery walls
1996 01 16 Sculpture Collection Dan Olson installation shot looking toward grunt kitchen
1996 01 16 Sculpture Collection Dan Olson close up of collection sculpture looking out grunt windows
1996 01 16 Sculpture Collection Dan Olson close up of collection sculpture with floor
1996 01 16 Sculpture Collection Dan Olson depicting Olson installing looking toward grunt windows
1996 01 16 Sculpture Collection Dan Olson installation shot looking out grunt windows
1996 01 16 Sculpture Collection Dan Olson depicting close up of exhibition floor
1996 01 16 Sculpture Collection Dan Olson depicting close up of collection sculpture

Daniel Olson - Collection
January 1996

Daniel Olson wasn't your typical kid: he never found satisfaction in collecting your usual assortment of boys knickknacks. Stamps and baseball cards never did it for him – but years later, the seemingly unwanted things did. He began noticing “bits of debris from the side of the road”: always stumbling upon these abandoned wonders, Olson created a leather, collecting tool, filled it with a metal pipe, and stenciled “COLLECTION” on it. According to Olson, “the street becomes a studio [and] the junk of urban life the artist’s materials.”

“Mainly, what I am doing is making a source of perplexity into an activity that passes the time pleasurably”.

Paraphrased from and quoted from Daniel Olson’s “Collection” Artist Statement

1996 01 16 Sculpture Collection Dan Olson installation view wide angle looking toward gallery walls

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